Tom Floyd (1928-2011)

Cartoonist and commercial artist Thomas Wesley Floyd, Sr., was born on July 13, 1928,* in Gary, Indiana, to William Webster Floyd (1894-1936), a laborer in a steel mill, and Alice James Floyd (dates unknown), a housewife. Tom Floyd's parents came from the South, William from Wetumpka, Alabama, Alice from Mississippi. They were married on March 1, 1923, in Crown Point, Indiana.

Tom Floyd was their fourth child, but only three of those four showed up in the census of 1930, Tom, his older sister (Mary) Juanita, and his older brother James Frederick. All three were born in Indiana, and the family lived in Gary, the largest American city founded in the twentieth century and one known for its steel mills. In the census of 1940, Tom and his siblings were living in the household of their maternal grandparents, Walter and Ollie James. Walter James died in 1945.

Tom Floyd graduated from the University of Illinois in 1953 with a bachelor's degree in commercial art. He ran his own advertising business in Gary and worked as a designer of visual aids in the training department of Inland Steel Company, also in Gary. By 1971, he was vice president of W.V. Rouse & Associates of Chicago, a management consulting firm engaged in minority relations. Over the course of his career, Floyd also worked as an editorial cartoonist, single-panel cartoonist, comic strip artist, and comic book scriptwriter.

Race and minority relations were a continuing theme and interest in his life and work. He is best known for his cartoon collection Integration Is a Bitch! (1969), subtitled "An Assessment by a Black-White Collar Worker," but he also wrote and drew the cartoons for a second book, The Hook Book . . . The ABC's of Drug Abuse . . ., which he self-published in 1973 under his own firm, Tom Floyd Visuals of Gary, Indiana. It's a cute book on a serious and deadly subject. I stand with the late Mr. Floyd in his opposition to drugs and drug abuse, which has helped to ruin not just black people but all kinds of people in America and the world over. Integration Is a Bitch! won the Book of the Year Award from the National Conference of Christians and Jews in 1971.

In 2012, comics historian Allan Holtz published a monumental work, American Newspaper Comics: An Encyclopedic Reference Guide. In the index of authors and cartoonists, there is a single-name credit, "Floyd," for a person who created three comic features for the Chicago Defender during the 1960s. I don't think there can be any doubt that the artist in question was Tom Floyd. The three features credited to "Floyd" are:

• At the Brink with J.J., which ran from December 11, 1965, to February 3, 1968 (It was renamed King Freedom. I don't have dates for that title.)
• Color Cuties, which ran from December 11, 1965, to March 30, 1968
• Integration Chuckles, which ran from December 11, 1965, to March 23, 1968

I have a sample only of the first title (shown below). Comparing a sample of Integration Chuckles with the cartoons in Integration Is a Bitch! might be all the evidence we need to show that "Floyd" and Tom Floyd were the same person. (A comparison of signatures, also shown below, makes pretty good evidence, too.)

Beginning in the 1960s, Floyd was involved in a project for which every comic book fan, especially every Hoosier comic book fan, can shout Yay! The project was a comic book about a black superhero called Blackman, who flies by pulling on his own bootstraps and who likes to eat peanuts. (We should remember that Floyd's parents were both Southerners.) Blackman finally made it into print in 1981 as a one-shot comic book pencilled by Eric O'Kelley and inked by Danny Loggins working from Floyd's script. It was published by Leader Comics Group, which is supposed to have been based in Indiana. I would like to think that that makes Eric O'Kelley and Danny Loggins Hoosier cartoonists, as well. By the way, Tom Floyd developed a supergroup that included Blackwoman, The Brotherhood, and The Big Dunker. 

In the 1980s, Floyd drew editorial cartoons for the Gary Post-Tribune. One of his drawings was included in the 1984 edition of Best Editorial Cartoons of the Year, edited by Charles Brooks. (See below.) Tom Floyd married Wynona Marie Gibson, a native Illinoisan, on February 25, 1956, in Cook County, Illinois, presumably in Chicago. They had three children. Thomas W. Floyd, Sr., died on September 22, 2011, in Gary, Indiana. He was eighty-three years old.

*Although his year of birth is everywhere given as 1929, Tom Floyd's birth certificate states clearly that he was born in 1928.

A cartoon from Integration Is a Bitch! by Tom Floyd. Floyd's book was published more than half a century ago, yet many--if not all--of his cartoons are still pertinent. This is one of my favorites--". . . And this is our Negro!"--an outright acknowledgment of a kind of tokenism that is never supposed to be spoken of or noticed. Note that one of the people applauding is a clergyman. I take that to be a poke at the virtue-signaling liberalism of mainstream religion in America.

At the Brink with J.J. by "Floyd" from the comics page of the Tri-State Defender, Memphis, Tennessee, July 9, 1966.

The cover of Blackman #1, a one-shot comic book written by Tom Floyd, penciled by Eric O'Kelley, and inked by Danny Loggins.

An editorial cartoon by Tom Floyd from the Gary Post-Tribune from 1984. Note the signature on the upper right and its resemblance to the signature in the comic strip At the Brink with J.J. from 1966. The same signature is on the cartoons for Integration Is a Bitch!

A photograph of Tom Floyd with his comic-book superhero, Blackman, in an article from 1995. Photograph by Milbert Orlando Brown.

Text copyright 2021, 2024 Terence E. Hanley

The International Day of the Cartoonist 2021

Since 2015, I have here observed the International Day of the Cartoonist in honor and memory of five French cartoonists murdered for their art. They were Wolinski, Cabu, Honoré, Tignous, and Charb, respectively, George David Wolinski (1934-2015), Jean Cabut (1938-2015), Philippe Honoré (1941-2015), Bernard Verlhac (1957-2015), and Stéphane Charbonnier (1967-2015). They were killed on this day in 2015 by Islamist terrorists in the offices of the satirical magazine Charlie Hebdo in Paris.

The same kind of terrorist infamously killed another Frenchman in 2020 because he showed some cartoons to his students. He was Samuel Paty (1973-2020), and he was a middle school teacher in Conflans-Sainte-Honorine, a suburb of Paris. Every year since the Charlie Hebdo massacre, M. Paty showed his students cartoons drawn by its cartoonists depicting a person revered by Muslims. When he did the same thing in October 2020, a young Muslim man took offense, and on October 16, 2020, he killed and beheaded Samuel Paty in the street near his school. A few minutes later, police tried to arrest the killer. When he resisted, they shot him dead. The French government was strong in its response to the murder. Some Western media, including in the United States, were characteristically weak. The French showed strength and resolve. Some Americans, Canadians, and Europeans showed their bellies.

The French president awarded M. Paty the Légion d'honneur posthumously. I think we can honor him, too, for his courage and for his devotion to the principles of freedom of thought and expression and of resistance to tyranny and oppression. There are cartoonists all over the world currently engaged in the same kinds of things. We should honor and remember them, too.

Postdated to January 7, 2021.

Copyright 2021, 2024 Terence E. Hanley

Pictures for a Year's End-No. 5

I'll close this series and the year with two illustrations for children's books, plus a magazine gag cartoon.

Kokomo native Norman Bridwell (1928-2014) may be renowned for his many books about Clifford the Big Red Dog, but he also illustrated this one featuring a small brown dog. The book is How to Care for Your Dog (1964), and the author is Jean Bethell. 

Jared Lee (b. 1943) is another well-loved children's book illustrator. He was born in Van Buren, Indiana, and now lives in Ohio. The picture shown here is from Monster Manners by Joanna Cole. It was published in 1985.

Finally, a drawing by Clyde Lamb (1913-1966) from the cartoon collection The Jokeswagon Book (1966), published during the Volkswagon craze of the 1960s. Lamb wasn't born in Indiana, nor did he go to school here or teach here or work here. Instead he was incarcerated in the Hoosier State in the 1930s and '40s. After gaining his freedom, he drew gag cartoons and created full-color illustrations for calendars published by Brown and Bigelow of St. Paul, Minnesota.

Text copyright 2020, 2024 Terence E. Hanley

Pictures for a Year's End-No. 4

I was happy to find this book recently at a secondhand store in Indianapolis. It's called The Hook Book . . . The ABC's of Drug Abuse (1973), and it's by Tom Floyd. A native of Gary, Thomas W. Floyd, Sr. (1928-2011) was a newspaper cartoonist and commercial artist who ran his own firm called Tom Floyd Visuals. He also contributed cartoons to Jet magazine. I hate drugs and drug use and am happy to have shared those feelings with the late Mr. Floyd, who wrote in his introduction, addressed to young people: "Don't ever start. Don't let anyone, under any circumstances, 'con' you into trying something that is so life destroying as drugs and the abuse of alcohol." By the way, The ABC's of Drug Abuse was printed by Cornelius Printing Company of Indianapolis, at one time the printer of Weird Tales magazine.

Original text copyright 2020, 2024 Terence E. Hanley

Pictures for a Year's End-No. 3

Rob Day of Indianapolis provided the cover illustration for Maphead By Lesley Howarth (1994). You can find Mr. Day's website by clicking here.

Text copyright 2020, 2024 Terence E. Hanley 

Pictures for a Year's End-No. 2

Born in Mound City, Illinois, William Sandeson (1913-2003) drew editorial cartoons for the Fort Wayne News Sentinel for thirty-seven years before retiring in 1987. Before that he had worked in New Orleans and St. Louis. Sandeson illustrated Voice of the Turtle by John Ankenbruck (1925-2017). The book was published in 1974 with an introduction by Chris Schenkel (1923-2005), a native of Bippus, Indiana.

Text copyright 2020, 2024 Terence E. Hanley 

Pictures for a Year's End-No. 1

Time has run out for me this year. Before I go, I would like to show a few illustrations by fellow Hoosiers. I would also like to wish everyone a Merry Christmas, Happy Hanukkah, and Happy New Year. May the coming year be better than the one now ending. Or as John Lennon sang, it couldn't get much worse.

Denzil Omer "Salty" Seamon (1911-1997) of Gibson County, Evansville, Terre Haute, and Rosedale illustrated Wings Beyond, a book of poetry by C. David Hay, a dentist and poet, also of Rosedale. The book was published in 1995.

Text copyright 2020, 2024 Terence E. Hanley