Charles Frederick Surendorf, Jr. (1906-1979)

Charles Frederick Surendorf, Jr., was born on November 9, 1906, in Richmond, Indiana. He attended the Art Institute of Chicago, the Art Students League, and Ohio State University. In 1929, he moved to Logansport, Indiana, and from there to California (in 1935), living first in Los Angeles, then in San Francisco. In 1946, he moved to Columbia, California, an old ghost town. Surendorf worked in all of those places as an artist, as well as in Tahiti, New Orleans, and the California desert.

In 1949, Charles Surendorf sent word home to his family in Logansport that he had married Barbara Stoner, a former model, beauty queen, and assistant curator of an art gallery in California. Like her new husband, Mrs. Surendorf was a Hoosier, having come from Goshen. The couple had three children together.

Charles Surendorf was a painter and a printmaker. In his younger days, he drew cartoons for his hometown newspaper. In the 1930s or early 1940s, he painted a mural of the Pottawatomie Indians in the Logansport library. Unfortunately that work was lost when the library burned in 1941. Surendorf won many prizes and accolades and had his work widely exhibited. He was also a member of many art associations and groups.

Surendorf was recognized in his time as one of the foremost woodblock/linoleum block printers in the United States. Charles F. Surendorf, Jr., died on May 28, 1979, in Columbia, California, at age seventy-two.

A self-portrait by Charles Frederick Surendorf, Jr., from 1935. This is an early example of his engraving. Others can be found all over the Internet with a simple search for his name. Good luck and happy viewing.

Text copyright 2016, 2024 Terence E. Hanley

Wilson Reed Berry (1851-1928)

On Easter Sunday, March 23, 1913, after two days of high winds, heavy rains began to fall on the northern Indiana town of Logansport. By Tuesday, March 25, the Wabash River was out of its banks and beginning to inundate the city. Located at the confluence of the Eel River and the Wabash River, the longest in Indiana, Logansport was under water for three days. Miraculously, by noon on Friday, a week after the winds had begun, the river was back in its banks and Logansport had begun its recovery from that great and memorable flood.

Just east of where the Eel River flows into the Wabash, Biddle's Island saw severe damage and destruction that spring. Both bridges to the island were out, one a wreck, the other swept away. A large house on the island, called appropriately enough “Island Home,” was also flooded. Built in the previous century by John Tipton, Island Home was long the residence of Horace P. Biddle (1811-1900), a lawyer, judge, poet, musicologist, and member of the Indiana constitutional convention of 1850. His house on Biddle’s Island "was filled with flowers, music, art, and the largest private library in Indiana of more than 8,500 books." (1) An insatiable reader and largely self-taught, Biddle died in 1900. His house was eventually acquired by another autodidact, Wilson Reed Berry, a man who, in contrast, was not known to have read a book in his lifetime. The flood of 1913 inundated Island Home and damaged or destroyed Berry's collection of paintings and pioneer artifacts, as well as (presumably) a letter from Queen Victoria congratulating Berry on his success as an artist. Despite the loss of his home and prized possessions, Berry soldiered on, painting until the end of his life.

Wilson Reed Berry, nicknamed Wils or Wiltz, came from a large Indiana farm family. He was born on April 22, 1851, in Cass County, the seventh of John H. and Harriett Reed Berry's thirteen children. Descended from a Revolutionary War veteran, Wils Berry grew up near Adamsboro, Indiana. As a boy he was more interested in drawing and painting than any other profession or trade. At age twenty-one and encouraged by an older local artist, John Forgy, Berry submitted some drawings to the Beldon Atlas Company of Chicago. Hired as a sketch artist, Berry traveled for ten years over thirty states and into Canada, drawing and painting landscapes and pictures of farms and animals. Berry also drew the Parliament Buildings in Ottawa, a work that was later sent to the royal family, the same work that won him accolades from Queen Victoria.

Berry's mother died in 1872 and his father remarried in 1874. Wils Berry may have met his future wife at his father's wedding. Her name was Emma Conner and she had good reason to be there, for her mother, Ellen Sackett Conner, was John Berry's bride. Wils Berry and Emma Conner were married on January 30, 1878, in Cass County. The young couple took a stagecoach across an iced-over Lake Ontario for their honeymoon trip. By year's end, they had had a son, Murillo, born in Canada on December 9, 1878. In their travels, the Berry family lived in hotels and boarding houses. In 1880, they were in Luzerne, Pennsylvania. Nineteen hundred found them back in Indiana, on a Fulton County farm. Eventually they returned to their home county to the south and settled in Logansport.

In the mid 1890s, Wils Berry taught painting at Michael's College (formerly Smithson College), located north of Logansport at the summit of College Hill. Nearly two decades before a flood destroyed his home, a fire burned the main college building on October 6, 1896, leaving a mere shell of blackened brick and Berry without a job. Berry's daughter remembered the event: "My mother and I were shopping when that happened. She thought it might have been our house on fire when she saw the smoke. My father didn't really lose anything in the fire, but the college was destroyed and they never rebuilt it." (2) To make up for the lost employment, Berry began giving private art lessons to the young ladies of Logansport. It was not uncommon after that to see him and his students about town, painting en plein air. (3)

By 1910, Berry was living on Biddle's Island with his family gathered around him. In addition to Berry’s wife Emma, there was their oldest child, Don Murillo, a painter in oil and watercolor. (4) Younger brother Willis wielded a brush as well, but he worked as a painter of houses instead of canvases. Virgil practiced law, while Inez taught kindergarten. (The remaining child, teacher, sketch artist, and painter Percy Berry, had died nearly a decade before.) The flood of 1913 may have brought their family idyll to an end. By 1920, the Berrys lived on Gate Street in Logansport, but only Willis remained at home.

A sometime farmer and collector of paintings and artifacts from pioneer days, Berry painted and sketched throughout his life. In addition to drawing and painting pictures of family farms, he created murals, painted curtains for opera houses, and decorated circus wagons in nearby Peru, winter home of the nation's circuses. Logansport Republicans carried his painting "Abe Lincoln the Rail-Splitter" in their parades and displayed it in their headquarters. Berry also created works for hotels in French Lick and Huntington. Today his work is in the collections of  the Cass County Historical Society and the La Porte County Historical Society Museum. Wilson Reed Berry died on April 28, 1928, and is buried at Mount Hope Cemetery in the county of his birth.

Notes
(1) "Judge Biddle of Biddle's Island" by Richard B. Copeland, Logansport Pharos-Tribune, May 2, 2008.

(2) Quoted in an interview of Inez Berry Brunegraff (1890-1989) in the Logansport Pharos-Tribune, date unknown.

(3) Michael's College was in operation from 1895 to 1896, hence Berry would not have taught there for long.

(4) Murillo Berry (1878-1965), also called Don or Don Murillo, was an artist like his father. Murillo's full name may in fact have been Don Murillo Berry, perhaps after the Spanish Baroque painter Bartolome Esteban Murillo (1617-1682), or he may have assumed the name "Don" as an honorific.

Acknowledgements

I thank La Porte County Historian Fern Eddy Schultz for her extensive research on Wilson Reed Berry and his family and for her securing permission to publish Berry's painting below. Much of the information I used to write this article came from her. I also acknowledge the work of the Cass County Historical Society and Museum for their accounts of the razing of Michael's College and the flood of 1913.

Painter and illustrator Wilson Reed "Wils" Berry (1851-1928) in an undated photograph in the collection of the Cass County Historical Society and Museum.

"Granville Kesling Farm, Onward, Indiana" by Wils Berry, a watercolor owned by Dr. Peter Kesling and on display in the Kesling Room at the La Porte County Historical Society Museum, 2405 Indiana Avenue, Suite 1, La Porte, IN 46350. Photograph by Fern Eddy Schultz. These days, pictures like this one are taken from the air by pilot-photographers. In Berry's time, a sketch artist or landscape artist created views of the family farm, often more conceptual or idealized than naturalistic. And it was drawings like this one that would be reproduced in county atlases.

For example, this drawing (which may or may not have been created by Wils Berry), showing "Island Home" on Biddle's Island in Logansport, was probably printed in a county atlas. However, the source is unknown. Berry lived on Biddle's Island until the house shown here was inundated in the great flood of 1913. Judge Biddle had passed away many years before, in 1900. Despite the history of flooding, Biddles Island (without the apostrophe) is inhabited today. The foundation of Island Home may be hiding under the lawns of today's middle-class residences. Note the bridges in the foreground and background and the buildings of Logansport in the background on the left. The bridge in the foreground looks like the one in the photograph below.

The wreckage of the Biddle [sic] Island Bridge in Logansport, Indiana, following the flooding of March 25-28, 1913. I'm not familiar enough with Logansport to tell the view or if Island Home or its remains might be visible in this photograph (from the collection of the Cass County Historical Society and Museum).

For a brief time in the 1890s, Wilson Reed Berry taught painting at Michael's College in Logansport. Founded as Smithson College, the school is shown here in a photograph from the 1870s, in the collection of the Cass County Historical Society and Museum. The building, a grand Gothic structure, was reduced to a mere shell after a fire of October 6, 1896.

A view from Smithson College looking southward to Logansport. Smithson College was in operation from 1872 to  1878, but even in later years, when the facility was known as American Normal College (1883-1888) or Michael's College (1895-1896), it was still referred to as Smithson College. In any case, this photograph, in the collection of the Toledo Lucas County Public Library, is undated but probably from the 1870s.

Text and captions copyright 2011, 2024 Terence E. Hanley

Max Francis Klepper (1861-1907)

Max Francis Klepper was born in Zeitz, Germany, on March 1, 1861, and immigrated with his family to the United States in 1876. Klepper lived in Logansport, Indiana, between about 1876 and 1879. He studied under Robert Swain, an artist about whom little is known, and was apprenticed to a lithography firm in Chicago. In 1877, at the age of sixteen, Klepper advertised himself as an artist in the Logansport city directory. He exhibited at the first major art show in his hometown and specialized in landscapes as a young man. In 1880 his ambition to be an illustrator carried him away to New York.

Klepper attended the Art Students League in New York and the Royal Academy in Munich from 1887 to 1889. As an art student he wandered over the Rhine country and the Tyrol to paint and study scenery. He also took a course at the Munich Veterinary College, an experience that helped him in his artist’s handling of horses and other animals. Back in the United States, Klepper exhibited at the Art Institute of Chicago in 1891 and contributed illustrations to The Century, Collier's, Cosmopolitan, Harper's Monthly, Harper's Weekly, Outing, Scribner's and other magazines over the next decade and more. Animals--horses in particular--were his specialty, an essential skill for an illustrator of scenes of the Civil War, the Spanish-American War, and the Boer War. Klepper also illustrated several books during the early 1900s, including Lady Lee and Other Animal Stories by Hermon Lee Ensign (1901), The War in South Africa by Capt. A.T. Mahan (1901), On the We-a Trail: A Story of the Great Wilderness by Hoosier novelist Caroline Brown (aka Caroline Krout) (1903), and The Baseball Boys of Lakeport by Edward Stratemeyer (1908).

Klepper died at home in Brooklyn, New York, on May 5, 1907. He was just forty-six years old.

Any picture you find now created by Max F. Klepper is almost sure to include horses, his specialty from the 1890s onward. This illustration is from an unknown magazine from about 1900-1905.

Klepper's skill with horses and the sporting life earned him entry into high society, even if it was just as an observer. Top: "In the Riding School" from Frank Leslie's Illustrated Newspaper, 1891, a wood engraving. Bottom: "Tennis and Polo at Newport" from Harper's Weekly, ca. 1890s, a photogravure.

Text and captions copyright 2010, 2024 Terence E. Hanley