Thursday, September 29, 2011

Happy Birthday to Indiana Illustrators

Indiana Illustrators began one year ago today, on September 29, 2010. One of the very best things about writing this blog is the comments I receive from family members of illustrators. Please feel free to write me at any time, by using the comments block below or by regular email at info@hoosiercartoonists.com. I'm especially interested in finding artwork created by Indiana illustrators and cartoonists inasmuch as their work has too often been thought of as ephemeral, and because of that, has disappeared from public view. Thanks for reading!

Copyright 2011, 2204 Terence E. Hanley

Wednesday, September 14, 2011

Wilson Reed Berry (1851-1928)

On Easter Sunday, March 23, 1913, after two days of high winds, heavy rains began to fall on the northern Indiana town of Logansport. By Tuesday, March 25, the Wabash River was out of its banks and beginning to inundate the city. Located at the confluence of the Eel River and the Wabash River, the longest in Indiana, Logansport was under water for three days. Miraculously, by noon on Friday, a week after the winds had begun, the river was back in its banks and Logansport had begun its recovery from that great and memorable flood.

Just east of where the Eel River flows into the Wabash, Biddle's Island saw severe damage and destruction that spring. Both bridges to the island were out, one a wreck, the other swept away. A large house on the island, called appropriately enough “Island Home,” was also flooded. Built in the previous century by John Tipton, Island Home was long the residence of Horace P. Biddle (1811-1900), a lawyer, judge, poet, musicologist, and member of the Indiana constitutional convention of 1850. His house on Biddle’s Island "was filled with flowers, music, art, and the largest private library in Indiana of more than 8,500 books." (1) An insatiable reader and largely self-taught, Biddle died in 1900. His house was eventually acquired by another autodidact, Wilson Reed Berry, a man who, in contrast, was not known to have read a book in his lifetime. The flood of 1913 inundated Island Home and damaged or destroyed Berry's collection of paintings and pioneer artifacts, as well as (presumably) a letter from Queen Victoria congratulating Berry on his success as an artist. Despite the loss of his home and prized possessions, Berry soldiered on, painting until the end of his life.

Wilson Reed Berry, nicknamed Wils or Wiltz, came from a large Indiana farm family. He was born on April 22, 1851, in Cass County, the seventh of John H. and Harriett Reed Berry's thirteen children. Descended from a Revolutionary War veteran, Wils Berry grew up near Adamsboro, Indiana. As a boy he was more interested in drawing and painting than any other profession or trade. At age twenty-one and encouraged by an older local artist, John Forgy, Berry submitted some drawings to the Beldon Atlas Company of Chicago. Hired as a sketch artist, Berry traveled for ten years over thirty states and into Canada, drawing and painting landscapes and pictures of farms and animals. Berry also drew the Parliament Buildings in Ottawa, a work that was later sent to the royal family, the same work that won him accolades from Queen Victoria.

Berry's mother died in 1872 and his father remarried in 1874. Wils Berry may have met his future wife at his father's wedding. Her name was Emma Conner and she had good reason to be there, for her mother, Ellen Sackett Connerwas John Berry's bride. Wils Berry and Emma Conner were married on January 30, 1878, in Cass County. The young couple took a stagecoach across an iced-over Lake Ontario for their honeymoon trip. By year's end, they had had a son, Murillo, born in Canada on December 9, 1878. In their travels, the Berry family lived in hotels and boarding houses. In 1880, they were in Luzerne, Pennsylvania. Nineteen hundred found them back in Indiana, on a Fulton County farm. Eventually they returned to their home county to the south and settled in Logansport.

In the mid 1890s, Wils Berry taught painting at Michael's College (formerly Smithson College), located north of Logansport at the summit of College Hill. Nearly two decades before a flood destroyed his home, a fire burned the main college building on October 6, 1896, leaving a mere shell of blackened brick and Berry without a job. Berry's daughter remembered the event: "My mother and I were shopping when that happened. She thought it might have been our house on fire when she saw the smoke. My father didn't really lose anything in the fire, but the college was destroyed and they never rebuilt it." (2) To make up for the lost employment, Berry began giving private art lessons to the young ladies of Logansport. It was not uncommon after that to see him and his students about town, painting en plein air. (3)

By 1910, Berry was living on Biddle's Island with his family gathered around him. In addition to Berry’s wife Emma, there was their oldest child, Don Murillo, a painter in oil and watercolor. (4) Younger brother Willis wielded a brush as well, but he worked as a painter of houses instead of canvases. Virgil practiced law, while Inez taught kindergarten. (The remaining child, teacher, sketch artist, and painter Percy Berry, had died nearly a decade before.) The flood of 1913 may have brought their family idyll to an end. By 1920, the Berrys lived on Gate Street in Logansport, but only Willis remained at home.

A sometime farmer and collector of paintings and artifacts from pioneer days, Berry painted and sketched throughout his life. In addition to drawing and painting pictures of family farms, he created murals, painted curtains for opera houses, and decorated circus wagons in nearby Peru, winter home of the nation's circuses. Logansport Republicans carried his painting "Abe Lincoln the Rail-Splitter" in their parades and displayed it in their headquarters. Berry also created works for hotels in French Lick and Huntington. Today his work is in the collections of  the Cass County Historical Society and the La Porte County Historical Society Museum. Wilson Reed Berry died on April 28, 1928, and is buried at Mount Hope Cemetery in the county of his birth.

Notes
(1) "Judge Biddle of Biddle's Island" by Richard B. CopelandLogansport Pharos-Tribune, May 2, 2008.
(2) Quoted in an interview of Inez Berry Brunegraff (1890-1989) in the Logansport Pharos-Tribune, date unknown.
(3) Michael's College was in operation from 1895 to 1896, hence Berry would not have taught there for long.
(4) Murillo Berry (1878-1965), also called Don or Don Murillo, was an artist like his father. Murillo's full name may in fact have been Don Murillo Berry, perhaps after the Spanish Baroque painter Bartolome Esteban Murillo (1617-1682), or he may have assumed the name "Don" as an honorific.

Acknowledgements
I thank La Porte County Historian Fern Eddy Schultz for her extensive research on Wilson Reed Berry and his family and for her securing permission to publish Berry's painting below. Much of the information I used to write this article came from her. I also acknowledge the work of the Cass County Historical Society and Museum for their accounts of the razing of Michael's College and the flood of 1913.

Painter and illustrator Wilson Reed "Wils" Berry (1851-1928) in an undated photograph in the collection of the Cass County Historical Society and Museum.
"Granville Kesling Farm, Onward, Indiana" by Wils Berry, a watercolor owned by Dr. Peter Kesling and on display in the Kesling Room at the La Porte County Historical Society Museum, 2405 Indiana Avenue, Suite 1, La Porte, IN 46350. Photograph by Fern Eddy Schultz. These days, pictures like this one are taken from the air by pilot-photographers. In Berry's time, a sketch artist or landscape artist created views of the family farm, often more conceptual or idealized than naturalistic. And it was drawings like this one that would be reproduced in county atlases.
For example, this drawing (which may or may not have been created by Wils Berry), showing "Island Home" on Biddle's Island in Logansport, was probably printed in a county atlas. However, the source is unknown. Berry lived on Biddle's Island until the house shown here was inundated in the great flood of 1913. Judge Biddle had passed away many years before, in 1900. Despite the history of flooding, Biddles Island (without the apostrophe) is inhabited today. The foundation of Island Home may be hiding under the lawns of today's middle-class residences. Note the bridges in the foreground and background and the buildings of Logansport in the background on the left. The bridge in the foreground looks like the one in the photograph below.
The wreckage of the Biddle [sic] Island Bridge in Logansport, Indiana, following the flooding of March 25-28, 1913. I'm not familiar enough with Logansport to tell the view or if Island Home or its remains might be visible in this photograph (from the collection of the Cass County Historical Society and Museum).

For a brief time in the 1890s, Wilson Reed Berry taught painting at Michael's College in Logansport. Founded as Smithson College, the school is shown here in a photograph from the 1870s, in the collection of the Cass County Historical Society and Museum. The building, a grand Gothic structure, was reduced to a mere shell after a fire of October 6, 1896.
A view from Smithson College looking southward to Logansport. Smithson College was in operation from 1872 to  1878, but even in later years, when the facility was known as American Normal College (1883-1888) or Michael's College (1895-1896), it was still referred to as Smithson College. In any case, this photograph, in the collection of the Toledo Lucas County Public Library, is undated but probably from the 1870s.

Text and captions copyright 2011, 2024 Terence E. Hanley

Thursday, September 8, 2011

Clotilde Embree Funk Snapshots

Jim Deans, a reader of Indiana Illustrators, has kindly offered snapshots of Clotilde Embree from a family scrapbook. Clotilde was a friend of Jim's mother-in-law and other family members. These photographs, taken in about 1915 in Princeton, Indiana, show a glimpse of not just another time but another world. 


Photographs of Clotilde Embree and friends, taken ca. 1915 in Princeton, Indiana, probably at or near the home of Mary Skelton Welborn by an unknown photographer, submitted by Jim Deans, and owned by Catherine and Jim Deans.

Upper Left
(Left to right) Top-Mary Skelton Welborn; Clotilde Embree; unknown blonde with curls; Mary Catherine Welborn, daughter of Mary Skelton Welborn.
Bottom-Catherine Richards Butler; head of her brother, William Skelton Butler.

Right
(Left to right) Top-unknown blonde with curls.
Bottom-Catherine Richards Butler; Clotilde Embree; William S. Butler (head in hands); Mary Catherine Welborn.

Bottom Left
Clotilde Embree. Jim Deans writes: "I'm guessing ca. 1915 since she looks about 20 and Catherine Richards, b. 1902, looks about 10 to 12 in the other photos."

Jim continues: "Catherine Richards Butler was the daughter of Jessie Valerie Skelton and Horace Graham Butler. Thus Mary Skelton Welborn was her aunt."

Thanks to Catherine and Jim Deans.

Wednesday, August 31, 2011

Herman Stoddard Vice (1884-1956)

Painter and illustrator Herman Stoddard Vice was born the son of a minister on June 21, 1884, in Jefferson, Indiana, a small town west of Frankfurt. He attended the Chicago Academy of Fine Arts and was an artist closely associated with Chicago. In September 1918, when he filled out his draft card, Vice was working for Jahn & Ollier Engraving Company in Chicago. (He also complained of having "crippled hands due to rheumatism.") Vice was a member of the Illinois Academy of Fine Arts, the South Side Art Association, and the Romany Club, as well as the Palette and Chisel Club and the Hoosier Salon in Chicago.

On November 26, 1908, Vice married Annette Zelna Border (née Menser) in Welland, Ontario. Both gave their residences as Buffalo, New York. (I detect an elopement.) The couple lived in Chicago during the censuses of 1910, 1920, and 1930. In 1910, Vice gave his place of employment as a pyrography company, in other words, a firm engaged in wood-burning for graphic or decorative purposes. By 1940, the Vices were in Lebanon, Indiana, where Herman was employed as an "experimental man" in a manufacturing firm, presumably the U.S. Machine Corporation in Lebanon. Vice's situation had not changed by 1942, when he filled out his second draft card. Then a manufacturer of stokers for home furnaces and burners, the U.S. Machine Corporation is now part of Stewart Warner, a maker of gauges and other car parts.

In 1948, Herman Stoddard Vice and his wife were in Marion, Indiana, and that's where he died, on November 29, 1956. Vice was buried far from home at Grandview Cemetery in Southmont, Pennsylvania, in a plot with his wife's parents. Annette Z. Vice followed her husband to the grave in 1967.

Women by the Sea, a painting by Indiana illustrator Herman Stoddard Vice.
Midwestern Landscape by Herman Stoddard Vice.

Further works by Herman Stoddard Vice:

A lake scape, circa 1921.

Drifting Clouds, 1933.

The Sentinel.

Mount Hood.

Revised and updated on December 6, 2019, and on October 17, 2021.
Text copyright 2011, 2024 Terence E. Hanley

Tuesday, August 30, 2011

Frederick William Boulton (1904-1969)

Frederick William Boulton was born on March 18, 1904, in Mishawaka, Indiana, son of a Lutheran minister. He studied at the Art Institute of Chicago, the American Academy of Art, and the Académie Julian in Paris. His teachers included John Norton, Charles H. Woodbury, and Joseph Allworthy. Boulton also taught at the American Academy and exhibited regularly in the Chicago area, where he lived and worked for most of his life. An illustrator, commercial artist, and fine artist, Frederick Boulton worked in a variety of media and genres. He was also a craftsman, but his self-described main interests were hunting, fishing, and painting. Boulton started with the J. Walter Thompson Company, one of the largest advertising agencies in the world, in 1923. Founder of the Art Directors' Club of Chicago, Boulton was named art director of the year by the National Society of Art Directors in 1955. He retired in 1965 and died four short years later, in 1969.

Waiting for the 8:18 by Frederick William Boulton.
And a watercolor with an unknown title by the same artist.

Text copyright 2011, 2024 Terence E. Hanley

Monday, August 15, 2011

Thomas R. Funderburk (1928-1999)

Thomas Ray Funderburk was born on November 8, 1928, in Hammond, Indiana. He served in the Marine Corps from 1946 to 1948 and graduated from Indiana University in 1952. Funderburk was assistant art director for Bantam Books from 1961 to 1966, when he went off on his own as a freelance artist, writer, and designer. He wrote two well-regarded books on airplanes, The Fighters: The Men and Machines of the First Air War (1965) and The Early Birds of War: The Daring Pilots and Fighter Aeroplanes of World War I (1968). Funderburk also illustrated several books, including Stormy Voyager: The Story of Charles Wilkes by Robert Silverberg (1968), The Nature of Animals by Lorus and Margery Milne (1969), and Whales: A First Book by Helen Hoke and Valerie Pitt (1981). Funderburk died on December 30, 1999, at age seventy-one.

Thomas Funderburk (left) from his days at Indiana University, from The Arbutus.
The Nature of Animals by Lorus and Margery Milne (1969), illustrated by Thomas R. Funderburk.
Funderburk's own Early Birds of War from 1968.

Updated December 6, 2019.
Text and captions copyright 2011, 2024 Terence E. Hanley

Friday, July 22, 2011

William Cary Brazington (1865-1914)

William Cary Brazington was born the year the Civil War ended and died two weeks before World War I began. His life and career were brief, and few today know him or his work. An illustrator and portraitist, Brazington exhibited in Indianapolis, studied in Paris, and worked in Indianapolis and New York City before illness brought his career to a close.

Brazington was born on November 9, 1865, in the small town of Westfield, Indiana, and turned eighteen during the First Annual Exhibition of the Art Association of Indianapolis, which took place in November 1883, and where his work was shown, perhaps for the first time in public. Between 1884 and 1898, he kept a studio in Indianapolis. During that time, he married Ida M. Aldrich in Indianapolis. Brazington also exhibited at the Fifth Annual Exhibition of the Art Association of Indianapolis in May 1888 and at another exhibition, Recent Work of Home Artists, in Indianapolis, in January 1898.

Brazington studied art under Jean-Paul Laurens and William-Adolphe Bouguereau at the Académie Julian in Paris. He also studied under the post-impressionists Charles Cottet and Lucien Simon, two of the so-called "Bande noire" or Nubians, named for their dark canvases. The Indiana artist worked in New York City for perhaps a decade before suffering a nervous breakdown in 1910. According to his obituary, Brazington "abandoned his profession almost entirely" and returned to Indianapolis. In hopes of regaining his health, he repaired to Arizona in 1912-1913. He returned yet again to Indianapolis--actually to Southport, to the home of his sister--in April 1914. William Cary Brazington died at St. Vincent Hospital in Indianapolis on July 12, 1914, and was buried at another Indianapolis landmark, Crown Hill Cemetery.

Although Brazington has been called an illustrator, I have not uncovered any of his illustrative work. When he is mentioned at all, he is referred to instead as a portraitist in sanguine, or conté crayon.

A portrait drawing of Eugene Ysaÿe, the Belgian composer and musician, by William Cary Brazington.

Text and captions copyright 2011, 2024 Terence E. Hanley